Printmaking

One of my favorite media, especially screen, linoleum relief, and intaglio.

I love to experiment with multiple iterations of impressions: in printmaking, it often feels like I start from one place yet find pathways into sewing, collaging, and layering other information. The “same” print can become endlessly different versions of itself, and dialogue suddenly emerges where singularity once existed.

Exploring the realm of variations is enticing and freeing. It is an integral part of my practice and manifestation of my multifaceted self.

Pile o’ Risographs for The People’s Garden, 2026

See more about this community project here!

Intaglio (etching, aquatint) with chine collé, spit bite, and sugar lift, 2002

Relief print (linocut) on handmade abaca paper, 2004

Digital photograph with screenprint and sewn elements, 2010

Digital photograph with screenprint and gouache, 2010

Digital photograph with screenprint and gouache, 2011

Intaglio (etching with roulette), 2002